Field Notes on Loving a Difficult Woman
A lyric essay written as a warning and a promise. I will flinch, I will test you, I will love you like a flood. Instructions for the person trying to love someone who was never loved right.
Field Notes on Loving a Difficult Woman
I will test you, but not the way you think. Not with games, not with silence sharpened into a blade. I won't disappear for three days to see if you come looking. I won't flirt with someone else to see if you flinch. I'm not that kind of difficult. I'm the other kind. The quiet kind. The kind that looks like patience from the outside but is actually a woman standing completely still in the center of your kindness, holding her breath, counting the seconds until it turns into something else. I have been trained by experts in this field. I know exactly how fast sweetness spoils. I know the half-life of a good mood. I have mapped the distance between "I love you" and a slammed door so many times I could walk it blindfolded.
So I will wait. That is my version of a test. I will sit inside your affection and I will wait for it to curdle, because it always has before, and unlearning "always" is the hardest thing a person can do.
When I ask "are you mad at me?" for the third time before noon, I need you to understand what I'm actually doing. I'm not being annoying. I'm not being needy in the way people use that word, like a diagnosis, like a flaw they've identified and labeled so they can hold it against you later. I am running diagnostics. I am checking the barometric pressure of the room the way a farmer checks the sky, because I grew up in a house where the weather changed without warning and nobody ever thought to tell me to come inside. I learned to read tension the way other kids learned to read chapter books. I could feel a fight coming from two rooms away. I could hear it in the way a cabinet closed, in the specific weight of a footstep on the stairs, in the half-second delay between a question and its answer. I became fluent in the language of someone else's mood before I ever learned how to speak my own.
So yes. I will ask if you're mad. I will study your face when you say you're fine. I will listen to the way you set your glass down on the counter and I will decide, based on that single sound, whether I am safe tonight. I know how insane that sounds. I know. But I was not raised in a house that taught me how to trust the obvious. I was raised in a house that taught me the obvious is a trap.
I do not know how to be casually adored. I need you to sit with that sentence for a second, because I think people hear it and they think it's poetic, they think it's sad in a cinematic kind of way, and it's not. It's functional. It is a gap in my operating system. Other women know how to receive a compliment, how to be kissed on the forehead in the grocery store, how to laugh when someone calls them beautiful without immediately running a background check on the statement. I don't have that software. Nobody installed it. I am standing in the middle of a room full of people who learned love like a first language, and I am still sounding out the vowels, still putting the emphasis on all the wrong syllables, still translating everything you say into the only version of love I've ever known and then trying, trying so hard, to un-translate it back into yours.
Be patient with me. I am learning. I am learning the way adults learn, which is to say badly. Slowly. With too much thinking and not enough instinct. Children pick up languages by ear, by feel, by immersion. I missed that window. I am studying love like a second language at thirty, conjugating verbs I should have known by heart at six, and some days the grammar still doesn't make sense, and some days I say the wrong thing entirely and I watch your face and I want to disappear into the floor because I should be better at this by now. I should be further along. I should not still be startled by someone being kind to me on purpose.
There will be a night when you brush the hair from my face and I go rigid. Every muscle, all at once, like someone flipped a switch inside me that I didn't even know was there. Not because of you. Never because of you. Because tenderness and danger used to wear the same clothes in my house. Because someone I trusted made gentleness the opening act to something awful, the slow preamble, the soft voice before the loud one, and now my nervous system can't always tell the difference between a hand that wants to hold me and a hand that wants to hold me down. They feel the same in the first half-second. They feel exactly the same. And that half-second is where I live. That is the country I come from. A place where love and pain shared a zip code and I never learned to sort the mail.
Do not take it personally. I know how much I'm asking. I know that loving someone who flinches at your touch is its own specific kind of heartbreak, and I'm sorry for that. I am sorry that my body carries a history you didn't write but still have to read. I am sorry that you will reach for me with nothing but warmth and I will, for one terrible fraction of a second, treat you like a threat. That is not fair. I know it's not fair. But the body keeps its own books, and mine has been balancing a ledger that started long before you walked into the room. It takes longer to rewrite muscle memory than it takes to rewrite a mind. My head knows you're safe. My head figured that out early. It's the rest of me that's still catching up, still cross-referencing you against every other person who ever stood that close, still frisking your kindness for weapons because that's the protocol and I don't know how to turn it off.
I will call myself crazy. I will say it first, before you can, before anyone can, because I learned a long time ago that if I name my own damage before someone else does, it hurts less when they agree. I will say it like a joke. I will laugh when I say it. I will roll my eyes at myself and call myself insane, unhinged, too much, a lot, a mess. I will perform the whole routine with the timing of someone who has practiced it in every mirror she's ever owned.
Do not laugh with me when I do this. Please. That is not a joke. That is a woman performing surgery on herself without anesthesia, and I've been doing it so long I genuinely forgot it's supposed to hurt. That self-deprecation is not charm. It is not quirky. It is the sound of someone who was told, over and over, that her emotions were unreasonable, that her reactions were hysterical, that her pain was performative and her tears were manipulation, until she started to believe it. Until she started to beat everyone to the punch. Until calling herself crazy became easier than waiting to see who else would.
So when I say it, don't agree. Don't even nod. Just look at me like I said something that isn't true. That's all. You don't have to give a speech. You don't have to fix it. Just let your face say "no." Let your face be the first one in my entire life that doesn't confirm the thing I'm most afraid of.
I believe, with the kind of certainty most people reserve for gravity and the sun coming up, that I am not enough. Not pretty enough to keep. Not smart enough to impress. Not interesting enough to hold your attention past the first few months, when the newness wears off and I'm just a person, just a regular woman with nothing particularly special about the way she looks or talks or moves through the world. The things I say are small. The space I take up is borrowed. I have been paying rent on my own existence for as long as I can remember, and I am always, always behind.
Someone taught me that. I need you to understand: I didn't come up with this on my own. A child does not wake up one morning and decide she is worthless. That is a curriculum. That is a lesson plan, executed over years, with consistency and precision, by someone who looked at me every single day and made a choice. Someone looked at this woman you're trying to love and systematically, methodically, with the patience of an engineer, convinced her that she was ordinary. That she was lucky to be tolerated. That the space she occupied was a favor someone was doing her, and she should be grateful, and she should be quiet, and she should make herself useful or make herself gone.
And I believed them. Of course I believed them. Why would the person who's supposed to love you lie about what you're worth?
So I will flinch at compliments. I will deflect them so fast you'll think it's a reflex. You'll say something kind and I will dodge it like a projectile, I will dismantle it with humor, I will reroute the conversation before the nice thing you said has a chance to land anywhere near my chest, because if I let it land, I have to feel it, and if I feel it, I have to decide whether to believe it, and if I believe it, I have to accept that maybe every person who made me feel small was wrong, and if they were wrong, then I have to grieve all those years I spent believing them, and I am not ready for that. I am not ready for the size of that grief. So I will dodge your compliment and I will make a joke and we will move on and you will let me, because it's easier, and we will do this dance a hundred times before anything changes.
But tell me anyway. Tell me I'm beautiful on a Wednesday morning when I haven't earned it. When I've done nothing to deserve it. When I'm in your old t-shirt with yesterday's mascara and I haven't said anything clever or done anything impressive. Tell me then. Tell me for no reason. Because that is the whole point, and it is the thing I have never had. I have been complimented as a transaction. I have been told I'm pretty as a precursor to something someone wanted. I have never been told I'm beautiful just because someone looked at me and couldn't help it. I need to learn that love is not a pay-per-view event. That I don't have to perform for it. That it exists even on days when I have given you absolutely nothing, and it doesn't leave.
I will try to make myself smaller. I want to warn you about this because it will happen so naturally you might not even see it. I've been doing it for years. Quieter voice. Fewer opinions. Less space on the mattress. Smaller plate at dinner. Shorter answers. I have been folding myself into the most convenient, least disruptive, most palatable version of a woman for so long that I don't even notice when I'm doing it anymore. It's automatic. It's the way I enter a room. I assess how much space is available and then I take less than my share, because taking my share has historically been a problem, and I have been punished for wanting things, and I have been punished for being loud, and I have been punished for taking up space that someone else decided wasn't mine.
I will do this with you, too. Instinctively. Without thinking. The way you blink when something flies at your face. I will start deferring to you about dinner, about what movie to watch, about where to go, about what I want, because "what do you want" was never a safe question where I come from. It was a trap. It was a test with a wrong answer, and the wrong answer was always whatever I actually wanted.
Unfold me. Gently. Not all at once. Not with force. Don't pry me open like I'm a problem to solve. Just make room. Keep making room. Make room so consistently, so relentlessly, that my body starts to believe the space is real, that it's not going to collapse the moment I stretch out.
Give me a drawer. Give me a shelf. Give me a corner of your closet, a hook by the door, a place in your home that is mine and does not need to be earned or justified or apologized for. I know that sounds like nothing. I know a drawer is a drawer. But watch my face when you offer it. Watch what happens when you clear a space and say "this is yours." Watch me stare at it like it's the most radical, most dangerous, most unbelievable thing anyone has ever handed me. Because it is. Because no one has ever given me a place that wasn't conditional. No one has ever said "here, exist here" without an asterisk, without a footnote, without an expiration date I'd have to earn my way past.
That will tell you everything. That moment, my face in front of an empty drawer, trying to decide if it's safe to unpack. That is the whole story. Every terrible thing that happened to me is in that hesitation.
I will love you like a flood. I need you to know that, too. Because everyone talks about how hard it is to love the broken ones, the difficult ones, the women with the damage and the flinching and the 2 a.m. questions about whether you're going to leave. Everyone talks about that. Nobody talks about what happens when we love you back.
It is not careful. It is not measured or rationed or strategically deployed. It is the kind of love that has been building behind a wall for my entire life, pressing against the concrete, looking for a crack, and when it finds one, when you give it even the smallest opening, it will pour through with a force that will take your breath and your balance and every assumption you ever had about what you deserved.
I will love you with the intensity of someone who has cataloged every version of love she was denied and decided, consciously, to give you all of them. Every forehead kiss I never got. Every "how was your day" that nobody asked. Every "you're safe here" I never heard. I have been saving them. Not on purpose. Not strategically. They just accumulated, the way snow accumulates, quiet and constant, and now there is so much of it that when it finally moves, it will move like an avalanche, and you will stand there, stunned, wondering how someone this afraid of love could have so goddamn much of it.
That's the secret no one tells you about women like me. We are not empty. We are the opposite of empty. We are so full it terrifies us. We have been hoarding tenderness in rooms nobody knew existed, behind doors we sealed shut for our own protection, and the right person doesn't just get a drawer. The right person gets the whole house. Every room. Every hidden closet. Every tender, embarrassing, impossible thing we never let anyone see because the last person who saw it used it to hurt us.
I am not easy. I will never be easy. I will ask too many questions and need too many answers and I will watch you like a hawk for the first six months and I will cry sometimes for no reason you can see, and I will be so afraid of losing you that I will occasionally, paradoxically, try to push you away first, because at least then I get to choose when it ends, at least then I see it coming, at least then I'm not blindsided again.
But I will also love you with a loyalty that borders on stupid. With a fierceness that doesn't know how to be casual. With a gratitude that will show up in the smallest, strangest ways, because I notice everything. I notice when you choose me. I notice when you stay. I notice when you reach for me even though you know I might flinch, and you do it anyway, gently, slowly, like you're proving something to my body that my mind already knows.
I notice. And I will never, not once, not ever, take your open hand for granted.
Because I know what the other kind feels like. I know exactly what it costs to love someone who makes you feel like a burden for breathing. I have paid that price in full, in blood, in years I will never get back, in a version of myself I buried so deep I'm still digging her up, still brushing the dirt off, still trying to figure out if she's breathing.
And I chose you anyway. With all of it. The flinching, the testing, the 3 a.m. panic, the rigid shoulders, the loaded questions, the desperate, embarrassing, relentless hope that this time might be different.
I chose you.
Now let me learn what that means.
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